Catherine Noury

May 13th, 2012
Catherine Noury

Catherine Noury “Le manteau d’été” 2008 © Galerie Sit Down

Sit Down website has a slideshow of Catherine Noury’s artwork. The work is best seen in the full-screen view on the site. This is a small screenshot of one of her pieces. Noury is using multiple fiber techniques like embroidery and collage to create these beautiful pieces. The series of dresses are said to be in butterfly boxes. Pinned and folded and sewn in perfect moments of time. The wrapped Algues below is quite different in feeling. More of coral and the sea and light and air.

Catherine Noury, Algues, 2010 © Galerie Sit Down

Catherine Noury, Algues, 2010 © Galerie Sit Down

Here is a link to artcatalyse.com for another article about the work. I would like to see a better English translation of what she says of her work. Most articles are in French and I am only understanding bits and pieces via online translators. Anyone who knows of her work, please help me by commenting on any mistakes or assumptions I have made of her work.

FiberPhiladelphia 2012

April 25th, 2012

I am so jealous. I’ve been watching video, viewing slides of artist works, and reading bios of the FiberPhiladelphia board. I wish it could all be transported to Portland or Seattle.

The entire 4 parts of Elissa Auther lecture held at Fiber Philadelphia gives some history and background of the craft vs art movement. High vs low art. The videos can be seen on Vimeo. Auther is a well-known art historian. She wrote String, Felt, Thread and the Hierarchy of Art and Craft in American Art. 

slide show image for FiberPhiladelphia 2012 artistsIn addition to the lecture, this slide show is a must see. So much incredible work!

It’s an amazing event for the entire city to host.

Jean Shin, TEXTile

March 11th, 2012
TEXTile by Jean Shin.

TEXTile, computer keys, misc materials ©2006 Jean Shin

Jean Shin works with common castoffs building sculpture that comments on the materials she uses as she creates each piece of art.

I am intrigued by her use of materials, her conceptualization and her construction techniques. The repetitiveness of the process and some of her materials cross over into a fabric-like realm. She has taken clothing and deconstructed and again reconstructed them into complete installations. The people working with her collaborate and become a community that has to really communicate to get the work done without complication.

Her collections of materials (vinyl records, pill bottles, shoes, pots and pans, losing lottery tickets) and what her response is to the materials becomes an installation filled with multiple meanings.

Her website contains slides of her work and discusses the concepts to each piece. It is well worth exploring. Also view the American Art Museum 2009 video showing some of her process with Curator Joanna Marsh, interviewer.

Plexus no. 10 by Gabriel Dawe

January 15th, 2012

This is beautiful. The film, commissioned by the National Centre for Craft & Design (Sleaford, UK), is of  the installation of stretched thread sculpture titled Plexus no. 10 by Gabriel Dawe.

Dawe speaks of his cultural upbringing in Mexico, his work as a graphic designer and his artistic growth, moving from clients’ design work that is produced to sell, to exploring embroidered art, to more conceptual work with textiles. The installation work is on a large-scale, the colorful threads like drawn lines flow together to create a blended effect. It is obsessive in nature to install and is removed after the exhibit has ended. Watch the film to see what he ends up doing with the remaining thread.

Gabriel Dawe: Plexus no. 10 from Electric Egg on Vimeo.

Feminist art

January 1st, 2012
Forbid almost everything by Ellen Lesperance

Ellen Lesperance, “You Can Forbid Almost Everything,” She Wailed at an Occupied Greenham Commons. “But You Can’t Forbid Me to Think. And You Can’t Forbid the Sun to Shine. And You Can’t Shut My Mouth When I Sing”, 2010, gouache, graphite on paper, 23 x 29 inches

Elizabeth Leach Gallery, as part of their 30th anniversary, is showing a group of artists with a feminist leaning. I had only heard of a couple of the artists and was excited to see work by women I knew nothing about.

The artist’s work I was most engaged with was by Ellen Lesperance. At first I was intrigued by the grid structure of her work. It also appeared similar to a pattern draft. The drawing of her own grid and filling in the squares with color captivated me. I learned from the gallery director the relationship of her work to the sweaters worn by women activists. She uses archival footage and recreates the sweaters on a grid. She also knits a sweater from the grid pattern.

Artists working in the subject of feminism can charge a dialog, make one angry or inspire. I do enjoy seeing the older work from the 70s along with work by younger artists. Hearing the motivation of these artists, following their careers and ideas leads me to believe the history of this movement will not be forgotten.